Time Out
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“Power resides where men believe it resides. It’s a trick, a shadow on the wall, and a very small man can cast a very large shadow.”

(Source: lumos-maxima)

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celebritycloseup:

Mick Jagger

celebritycloseup:

Mick Jagger

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nabian8735:

charnykins:

THIS IS STARTING TO SCARE ME.

HE’S. EVERYWHERE.

(Source: itsmyface-vs-thebottle)

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thedailywhat:

Purrfect Prank of the Day: Redditor frackyou’s little cousin posted his phone number to Facebook along with a status update informing everyone that he was bored.
Cat Facts to the rescue.
[reddit.]

thedailywhat:

Purrfect Prank of the Day: Redditor frackyou’s little cousin posted his phone number to Facebook along with a status update informing everyone that he was bored.

Cat Facts to the rescue.

[reddit.]

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thedailywhat:

Lights Out: Discovery Channel’s Destroyed in Seconds: A Supercut.

[22words.]

These were the two most intense minutes of my day.

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(Source: ben38)

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(Source: disneyfaceswap)

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Women vs Men advertising

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Most intense video of a cat ever

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cinematicaesthetic:

‘Drive’ (2010)
Production Designer: Beth Mickle
(The Son of No One 2011; It’s Kind of a Funny Story’ 2010; Cold Soul 2009; Half Nelson 2006)
‘It all starts with the script, and I get a sense for the style through that. And then the initial conversations with the director to gauge which direction they want to take it. Most directors usually have a strong idea of what they want the film to look like — they reference other images and films, and Nicolas was absolutely prepared. He handed over a whole bunch of French new-wave films with these really interesting colour palettes.’ Beth Mickle

cinematicaesthetic:

‘Drive’ (2010)

Production Designer: Beth Mickle

(The Son of No One 2011; It’s Kind of a Funny Story’ 2010; Cold Soul 2009; Half Nelson 2006)

‘It all starts with the script, and I get a sense for the style through that. And then the initial conversations with the director to gauge which direction they want to take it. Most directors usually have a strong idea of what they want the film to look like — they reference other images and films, and Nicolas was absolutely prepared. He handed over a whole bunch of French new-wave films with these really interesting colour palettes.’ Beth Mickle